The City Re-imagined, Re-invented!

aceartinc., Urban Shaman Gallery, Video Pool Media Arts Centre, and Plug In Institute of Contemporary Art are thrilled to present

(in)visible cities

– a performance art festival in Winnipeg’s Exchange District from September 6th to 13th, 2008.

Transforming, Shape-shifting Artists!

(in)visible cities will include live performance events by an array of internationally renowned artists including: Cheryl L’Hirondelle (Vancouver), Shawna Dempsey and Lorri Millan (Winnipeg), FASTWÜRMS (Creemore, ON), Jessica Thompson (Toronto), and Nhan Duc Nguyen (Vancouver). Cultural theorist Jeanne Randolph (Winnipeg) will act as (in)visible cities’ rapporteur/blogger, providing insightful commentary as festival events unfold.

You! Work it! Mix it up!

To further engage audiences as both participants in and witnesses of the work, (in)visible cities will present two performance workshops:

Performance and Activism in Everyday Life, led by Cheryl L'Hirondelle, Shawna Dempsey and Lorri Millan, is a two-day workshop expanding ideas of performance art practice in relation to collaboration, community, and activism.

Freestyle SoundHack, led by Jessica Thompson, is a one-day workshop/performance involving the creation of wearable sound pieces that generate and broadcast electronic beats as users move through urban environments.

Meet the Artists! Exchange Ideas! Incite!

(in)visible cities will also include a round-table discussion on performance practice, identity, community, agency and place.

Morphing, Resonating Cities!

The city – our city – is network of living cultures with heterogeneous but intersecting communities, systems, flows and struggles. Through presenting performance works that play out a variety of modes of social interaction with audiences, (in)visible cities provides an arena in which to further animate the stories, histories and economies of the Exchange District.

You are invited to witness and participate in events that expand possibilities for performative agency while also speaking to the politics of place – of cultural visibility and invisibility, presence and absence, utopia and urban myth, renewal and resistance. Through (in)visible cities we offer new forms for imagining how urban dwelling, telling, exchange, site and history can be reinvented.

A full festival schedule with dates, times and venues will be available by mid-August.

For more information about (in)visible cities contact:

aceartinc. Tel: 204.944.9763 Email: program@aceart.org
Urban Shaman Gallery Tel: 204.942.2674 Email: program@urbanshaman.org

(in)visible cities gratefully acknowledges the generous support of the Winnipeg Arts Council’s Downtown Festival Grant Program, the Manitoba Arts Council, the Canada Council for the Arts and the Department of Canadian Heritage.

Generous in-kind support is provided by Canadian Goodwill Industries Corporation, Little Saigon Restaurant, and Kensington Building Ltd.

Sincere thanks also to our donors, members and volunteers; and to our community, and friends and family.

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PS: Visit the (in)visible cities blog! http://invisiblecitiesperformance.blogspot.com/

Robert Hengeveld's "Staging the Gap"

FOR IMMEDIATE RELEASE

Video Pool Media Arts Centre presents
Robert Hengeveld's "Staging the Gap"

Robert Hengeveld's exhibition Staging the Gap will no longer be presented at Unit 3 - 300 Main Street. Instead the exhibition will presented at Video Pool's studio (3rd Floor, 100 Arthur Street).

Winnipeg, MB (July 2, 2008) – Video Pool Media Arts Centre is very pleased to present Staging the Gap, a provocative media installation by Toronto-based artist, Robert Hengeveld.

Staging the Gap is a miniature model of a concert stage with silently animated lights and smoke. The work explores the relationship of fact and fiction in a technologically mediated world. Hengeveld critically reflects on the mechanisms used to deliver popular culture by focusing on how visual effects – stage lights, pyrotechnics, and dry ice – are used at concerts to shape our understanding of what we hear. Ignoring society’s desire for the spectacle of performance, the stage created by the artist remains empty while a precisely orchestrated light show plays out.

Accompanying the miniature stage is a series of headphone each playing a different audio track specifically composed in response to the orchestrated light show. This inverts the traditional relationship of audio and visual experience in concert settings and addresses the role of audio in shaping our understanding of the world.

Hengeveld's model stage measures 2.5m2 to establish a scale at which viewers are encompassed by the work, yet still feel slightly detached. Next, he coaxes audiences from their suspended disbelief into his alternate reality by offering a familiar space and encouraging them to relate in a familiar manner. This subtle slip from the norm creates a situation that challenges preconceptions while fostering a reevaluation of our spatial environments and our positions within them.

This exhibition runs from July 29 – August 21, 2008 and will be available weekdays from 12:00 to 5:00 p.m. at Video Pool's Studio (100 Arthur Street, 3rd Floor).

Exhibition Launch: Friday, July 25
Artist talk begins at 6:00 p.m. in Winnipeg Film Group's Studio; Reception will follow at Video Pool – both venues are on the 3rd floor at 100 Arthur Street.

ARTIST BIO -- Robert Hengeveld completed his MFA at the University of Victoria in 2005 and received a Fine Arts Diploma and Certificate from Georgian College, and an AOCAD from the Ontario College of Art and Design. He has exhibited his work across Canada and internationally, and has participated in artist residencies in both Canada and Scotland. He is currently living and working in Toronto.

These exhibition is presented thanks to generous financial support from:



VIDEO POOL MEDIA ARTS CENTRE is a non-profit artist run centre dedicated to advancing the discipline of media art by providing media artists, non-profit organizations and community groups with access to professional video and media equipment, training, distribution and programming. Video Pool strives to be a national leader fostering innovation, experimentation, critical dialogue and advocacy in media arts.

Contact:
Milena Placentile, Programming Coordinator
Video Pool Media Arts Centre
#300-100 Arthur St., Winnipeg MB R3B 1H3
http://www.videopool.org
http://videopool.blogspot.com
204.949.9134 x 1

Sharon Alward's "Bushi"

A Newly Commissioned Work as Part of Video Pool's 25th Anniversary

Please join us on Friday, May 16 from 7:00 - 9:00 p.m. to witness the start of Sharon Alward's latest collaboration with Alex Poruchnyk, a performance-driven video installation titled Bushi.

Rachel Browne Theatre (formerly Winnipeg's Contemporary Dancers Studio)
211 Bannatyne Ave

Exhibition hours beginning May 17
Tues - Sat: 12:00 p.m. - 5:00 p.m.
(Closed Sun - Mon.)
Exhibition continues until May 24, 2008

As always, our exhibitions and performances are free for all.

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Video Pool's 25th Anniversary Commissions have been made possible by the generous support of the Winnipeg Arts Council through the New Creations Fund. Further financial contributions have been kindly provided by The Canada Council for the Arts, The Manitoba Arts Council, the W.H. & S.E. Loewen Foundation, The Winnipeg Foundation, and On Screen Manitoba.

++++++++++

For more information about Sharon Alward and Bushi, please visit:
http://home.cc.umanitoba.ca/~alward/Bushi and http://home.cc.umanitoba.ca/~alward/Bushi2.htm

Upcoming Video Pool Events: May 5, 8, and 16

Dear Members and Friends,

We are well underway with our 25th Anniversary celebrations! Peter Courtemanche & Lori Weidenhammer's new media sculpture is available for viewing at PLATFORM (100 Arthur St), and Richard Dyck's experimental computer-generated video project is available for viewing at aceartinc. (290 McDermot Ave).

Here's what's coming next:

Steve Loft "A History in Two Parts" -- May 5 – 17, 2008
Reception -- Monday, May 5 from 6:00 to 9:00 p.m.
The Duke of Kent Legion, 227 McDermot Ave.
Exhibition hours beginning May 6: Mon, Wed - Fri 1:00 - 6:00 p.m.; Tues 2:00 - 6:00 p.m. Closed Sat - Sun.
This exhibition is presented in-part through the generosity of On Screen Manitoba

Sharon Alward "Bushi" -- May 16 - 24, 2008
Launch -- Friday, May 16 from 7:00 - 9:00 p.m.
Rachel Browne Theatre (Formerly the Winnipeg's Contemporary Dancers Studio), 211 Bannatyne Ave
Exhibition hours beginning May 17: Tues - Sat 12:00 p.m. - 5:00 p.m.; Closed Sun - Mon.
Performances each day except May 24

Video Pool's 25th Anniversary Commissions were made possible by the generous support of the Winnipeg Arts Council through the New Creations Fund. Further financial contributions have been kindly provided by the Canada Council for the Arts, the Manitoba Arts Council, the Winnipeg Arts Council, The W.H. & S. E. Loewen Foundation, the Winnipeg Foundation, and On Screen Manitoba.

* * *
During this very exciting time, we are also thrilled to be continue offering programming pertaining to our 2007/2007 thematic, Off the Grid: The Creative (Mis)use of Technology. We are very excited to present one-night only performance lectures by...

Jeanne Randolph and Glen Johnson
Thursday, May 8 beginning at 7:00 p.m.
Winnipeg Film Group Studio, 304-100 Arthur Street

The schedule for the evening is as follows: Performances will begin promptly at 7:00 p.m., we will have a brief intermission between each one, and we'll continue the evening with a reception.

For more information about these thoughtful, provocative, and humorous performances, please visit: http://videopool.blogspot.com/2008/04/planning-ahead-upcoming-performance.html

These performances are presented thanks to generous financial support from The Canada Council for the Arts, The Manitoba Arts Council, and the Winnipeg Arts Council.

Video Pool thanks the Winnipeg Film Group for their generous presentation support.

* * *
As always, our exhibitions and performances are free for all. Please note that owing to the venue, Steve Loft's exhibition is open to audiences aged 18 and older.

* * *

We look forward to seeing you!!

A little reminder...

In honour of our 25th Anniversary, Video Pool Media Arts Centre welcomes you to join us on Friday, April 18 at 7:00 p.m. at acerartinc. as we launch three new commissions by Daniel Barrow, Richard Dyck, and Victoria Prince.

Barrow's multi-channel interactive media installation, Trying to Love the Normal Amount, opened at Plug In ICA's satellite space (290 McDermot Ave) on Saturday, April 12, and will be available until Saturday, April 19. Barrow will direct a performance beginning at approximately 7:30 p.m.

Dyck's new media installation, The day we cut Nettie's curls, she was 7 years old, will be presented at aceartinc (290 McDermot Ave) and will run until May 2.

Prince's sculptural video installation, Light and Alter, will be presented at the ADHERE AND DENY Pocket Theatre (315-70 Albert Street) and will run until April 25.


And, please mark your calendars for the launch of a fourth commission by Lori Weidenhammer and Peter Courtemanche. This project will involve two performances -- one on April 24 and one on April 25 -- at PLATFORM Centre for Photographic and Digital Arts at 7:00 p.m.

Following the performance and Q&A session at PLATFORM on April 25, we will celebrate Video Pool's Anniversary with a reception to which all are invited.


For more information about these events and our events upcoming in May, please visit: http://videopool.blogspot.com/2008/04/ton-of-25th-annivesary-programming-to.html

A Ton of 25th Anniversary Programming to Enjoy!

Remember we said we had a ton of 25th Anniversary programming in store? Well, we weren't kidding!

The following list covers everything planned, so far. We have a few more ideas in mind... and we look forward to announcing those details as soon as possible.

Daniel Barrow's presentation of Trying to Love the Normal Amount opens on Saturday, April 12 @ 11:00 a.m.

The reception -- which will also celebrate the launch of projects by Richard Dyck and Victoria Prince -- will take place on Friday, April 18 beginning at 7:00 p.m.

Catering will be provided, most generously, by The Line Up (98 Albert Street). We are grateful for their support!

Exhibitions

Daniel Barrow April 12 – 19
Plug In ICA's Satellite Gallery, 290 McDermot Ave. (Ground Floor) (Map)
Tues - Sat 11:00 a.m. - 5:00 p.m; Closed Sun - Mon.

Victoria Prince April 18 – 25
ADHERE AND DENY's Pocket Theatre, 315-70 Albert St. (Map)
Tues - Sat 12:00 p.m. - 5:00 p.m.; Closed Sun - Mon.

Richard Dyck April 18 – May 2
aceartinc., 290 McDermot Ave. (2nd Floor) (Map)
Tues - Sat 12:00 p.m. - 5:00 p.m.; Closed Sun - Mon.

Peter Courtemanche and Lori Weidenhammer April 24 – May 10
PLATFORM Centre for Photographic + Digital Arts, 100 Arthur St. (Map)
Tues - Sat 12:00 p.m. - 5:00 p.m.; Thurs 12:00 p.m. - 7:30 p.m.; Closed Sun - Mon.

Steve Loft May 5 – 17
The Duke of Kent Legion, 227 McDermot Ave. (Map)
Mon, Wed - Fri 1:00 - 6:00 p.m.; Tues 2:00 - 6:00 p.m. Closed Sat - Sun.

Sharon Alward May 16 – 24
Rachel Browne Theatre (Formerly the Winnipeg's Contemporary Dancers Studio), 211 Bannatyne Ave. (Map)
Tues - Sat 12:00 p.m. - 5:00 p.m.; Closed Sun - Mon.

Performances

Daniel Barrow April 18 – Begins at 7:30 p.m.
Plug In ICA's Satellite Gallery, 290 McDermot Ave. (Ground Floor) (Map)

Peter Courtemanche + Lori Weidenhammer April 24 & 25 – Begins at 7:00 p.m.
(Question and answer session begins approximately 7:45)
PLATFORM Centre for Photographic + Digital Arts, 100 Arthur St. (Map)

Sharon Alward May 16 – 23 – At intervals throughout the duration of the exhibition except for Saturday, May 24.
Rachel Browne Theatre (Formerly the Winnipeg's Contemporary Dancers Studio), 211 Bannatyne Ave. (Map)

Openings

Daniel Barrow, Victoria Prince, and Richard Dyck April 18 – Begins at 7:00 p.m.
aceartinc., 290 McDermot Ave. (2nd Floor) (Map)

Peter Courtemanche + Lori Weidenhammer and 25th Anniversary Reception April 25 – Begins at 8:00 p.m.
PLATFORM Centre for Photographic + Digital Arts, 100 Arthur St. (Map)

Steven Loft May 5 – 6:00 - 9:00 p.m.
The Duke of Kent Legion, 227 McDermot Ave. (Map)

Sharon Alward May 16 - Begins at 7:00 p.m.
Rachel Browne Theatre (Formerly the Winnipeg's Contemporary Dancers Studio), 211 Bannatyne Ave. (Map)

2008 / 2009 Call for Submissions

Video Pool Media Arts Centre
2008 / 2009 Call for Submissions

Theme: Resistance
Deadline: Friday, March 21, 2008

Resistance is a movement, a position, an attitude, and a measure. It is an individual or collective response. It can be political, or it can relate to physical properties of the known universe. It concerns citizens. It concerns artists. It concerns that which is local as well as that which is global. It is about forces, agency, strategy, play, and subversion. It is an argument. It seeks change, or it fights to stay the same. It mobilizes. It is unconscious. It is a side effect. It is intentional and affirmative.

Video Pool invites submissions pertaining to the theme Resistance for the 2008/09 programming season. We encourage projects involving:

• New media
• Experimental electronics
• Installation (with media components)
• Audio art
• Curatorial packages (with media components)

Video Pool is particularly interested in projects that intervene in public space or otherwise make use of non-traditional exhibition settings.

Video Pool’s 2008/09 programming season will include two programs specifically focused on new media performance and single channel film and video that resist conventional thinking and/or assumptions about what constitute video and new media art practices, and possibly the environs within which they take are expected to place.


Submission Requirements:

Please note that due to funding requirements, primary consideration will be given to Canadian citizens.

All Submissions Must Include:

1. Artist/curator CV including current contact information (mailing address, telephone number, and e-mail address)
2. A short description of the proposed project or video(s), including an outline of the critical and/or curatorial objectives of the work submitted
3. Names of all participating artists
4. Titles of all proposed projects/videos, as well as year of completion and city of origin
5. Exhibition history of each project, including a description of contexts within which the work will be presented in the coming year
6. A statement indicating if the artist(s)/curator(s) plan to be in attendance with the work and, if so, in what capacity they would expect to participate in the screening/exhibition
7. Support material: Please do not send originals as Video Pool will not accept responsibility for the loss of, or damage to, any support material
   - Still images should be submitted on CD (maximum 20 images, .jpg preferred, please do not exceed 72 dpi or a resolution of 1024 X 768 pixels)
   - Video support material should be NTSC and submitted on VHS, DVD, or Mini DV
   - Audio support material should be submitted on CD
8. Complete list of all audio, video, and images submitted
9. Please include a SASE if you would like your support material returned

Video Pool is committed to reflecting cultural diversity in it’s programming and thereby encourages applications from artists and curators from all communities.

Video Pool encourages the submissions of projects that are already complete or near completion.

Fees are paid in accordance with the CARFAC rate scale.


Please Direct Enquiries to:

Milena Placentile, Programming Coordinator
vpprogramming at videopool dot org
204.949.9134 ext.1


Please Send Submissions to:

Programming Committee
c/o Video Pool Media Arts Centre
#300 – 100 Arthur St.
Winnipeg, MB R3B 1H3 Canada


All submissions must be received by the deadline: March 21, 2008

Great news! Now you can "Call" and "Relay" for a little longer ;-)

*Ha ha* Sounds a little like an ad for telecom services ;-)

But really, this is great news!

Thanks to the generosity of artist Germaine Koh, volunteers participating in Call, and Artspace, Video Pool is happy to announce that Call and Relay will now be available until Tuesday, November 27, 2007. So, if you've not yet had a chance to chat with a stranger, or to send an SMS message to the whole city via roof-top lights flashing Morse code, now is your chance =-).

To participate in Call, visit the Artspace lobby and pick up the telephone receiver. To participate in Relay, send a text message to 204.951.1929.

More information about Germaine Koh's project, "Relay"

Now that those handy lil' Morse code "decoder cards" have started to circulate around the city, the telephone number temporarily designated for Relay has been receiving calls. Potential participants are seeking more information, so we've updated the voice message to direct them here.

Things you might like to know about Relay, and how to get involved:

• Participation is open to anyone with access to a cellular phone capable of sending text messages (aka SMS). Regular message charges, as per your cell phone plan, apply.
  
• Relay accepts any text message sent to the designated telephone number (204.951.9129) as per the character-length maximums established between wireless carriers.
• Your message can be personal, or public in nature. That said, please be aware that it is visible in Morse code format to anyone who can see the light flashing from the roof of Artspace. Open access public broadcast is one goal of the project, after all.
• Neither the artist nor staff of Video Pool intervene physically -- we don't approve or reject messages.

Relay will be available from October 16 - November 16, 2007, so feel free to share your thoughts with the city as often as you wish.

Don't have a decoder card yet? Now you do! Click on each of the two images below in order to access and print them in full-size...

If you have any questions, post them as a comment, and we'll update this post accordingly =-)

"Call" and "Relay" Launch on October 16!

FOR IMMEDIATE RELEASE

Video Pool Media Arts Centre
in conjunction with Artspace is proud to present

Call and Relay

two projects by internationally renowned Canadian artist Germaine Koh

Winnipeg, MB (October 4, 2007) – Video Pool welcomes residents of Winnipeg to talk to strangers via two intriguing new media projects by Germaine Koh.

Call is an interactive installation involving a hacked vintage rotary-dial telephone that connects immediately to one of several volunteers as soon as the receiver is lifted. Participants are invited to experience the unique opportunity of striking up a conversation about anything or everything with an anonymous individual at the other end of the line. Interpersonal exchange with other inhabitants of our city has never been easier, and when was the last time any of us took the time to hold a random and potentially meaningful conversation with someone new?

To connect with someone through Call, just visit the Artspace lobby. You don’t even have to dial!

Relay is a subtle intervention that combines the lonely signal of a flashing navigation beacon, city electrical systems, and the invisible communications networks that surround us. A utilitarian light fixture enigmatically flashes – in Morse code – short text messages (SMS) received on a designated mobile phone number. Locally, the light will operate as a sort of bulletin board conveying news from near and far, and providing opportunities for sociability and local messaging in the immediate area and across the city. The beacon merges early technologies for communication and navigation with some of the more contemporary methods by which information and desire flow today.

Share an exciting scoop, or just say hello, by sending a text message to 204.951.1929. From the roof of Artspace, your message will be conveyed to all.

Call and Relay will be available at Artspace, 100 Arthur Street, Winnipeg, from October 16 – November 16, 2007.


Related events – All welcome

Artist talk on Tuesday, October 16 at 6:00 pm, followed by an opening reception from 7:00 to 9:00 p.m. at Platform Gallery, 1st floor, 100 Arthur Street.

Call and Relay are presented thanks to generous support provided by:





VIDEO POOL MEDIA ARTS CENTRE is a non-profit artist run centre dedicated to advancing the discipline of media art by providing media artists, non-profit organizations and community groups with access to professional video and media equipment, training, distribution and programming. Video Pool strives to be a national leader fostering innovation, experimentation, critical dialogue and advocacy in media arts.


Contact: Milena Placentile, Programming Coordinator
204.949.9134 ext 1
vpprogramming@videopool.org
videopool.org // videopool.blogspot.org

Do you enjoy conversation?

Do you enjoy conversation? Volunteers needed for art project.

"My name is Germaine Koh and I am an artist looking for volunteer participants for an art project running at Video Pool in Winnipeg from 17 October to 16 November.

The project “Call” makes telephone connections between strangers, as a sort of open-ended experiment in how anonymous individuals interact, and a means of making unexpected connections between real people, without pre-determined goals. It uses a telephone that I have modified so that it each time the handset is lifted, the phone randomly dials one of the project participants. The phone will be physically located in the lobby of Artspace at 100 Arthur Street, Winnipeg.

I am looking for volunteer participants in the Winnipeg area who are willing to receive phone calls on your own telephone during the exhibition, and (attempt to) have phone conversations with the stranger on the other end of the line. No particular skills, background or cultural knowledge are required – just a willingness to talk. You may speak whatever languages you can. Your conversations will not be monitored in any way, and your identity will be kept completely anonymous.

The phone will be in operation during gallery hours. Over the course of the exhibition, you will likely encounter a variety of people and personalities. Based on previous presentations and the number of volunteers involved, you will likely receive no more than a few phone calls per day. The amount of time you end up devoting to any conversation depends completely upon your own schedule and inclination, and if sometimes you are unavailable, you should not feel obligated to answer the phone.

The project has been presented a number of times: in 2006 at ISEA (International Symposium of Electronic Arts) in San Jose and in a solo exhibition of my work at the Ottawa Art Gallery; and in 2007 at MKG127 Gallery in Toronto. You can read more about the project and those previous presentation on my website at www.germainekoh.com/call.html.)

To participate or if you have further questions, please email me at website@germainekoh.com or call Video Pool at (204) 949-9134. For more about my work in general you can visit my website, www.germainekoh.com.
















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Please post or pass on to anyone you know who might be interested. Thanks, Germaine

Rockstars & Wannabes

For Immediate Release…
September 20, 2007

Urban Shaman Contemporary Aboriginal Art Gallery and Video Pool Media Arts Centre are proud to present the exhibition

Rockstars & Wannabes

Curated by Cathy Mattes, this exhibition features: Warren Arcand, Kevin Ei-Ichi deForest, Skawennati Fragnito, and Benny Nemerofsky Ramsay.

Dates: September 29 – November 10, 2007
Opening Reception: Saturday, September 29, 2007 @ 8 PM
Location: Urban Shaman Gallery – 203-290 McDermot Ave
Mediums: Video and Installation

With the emergence of MTV and Much Music in the early 1980s, a new form of escapism, and role play surfaced for young people. How youth connected with popular singers and bands changed drastically thanks to vee-jays spinning flashy music videos that provided visual narratives to follow along with popular music. In basements and bedrooms across the land, youth held brushes as microphones, envisioned themselves in music videos, and mimicked the music stars they admired…

Rockstars & Wannabes locates artists who examine the impact of the music industry on identity, using music videos, karaoke, and popular TV talent searches as catalysts. Music as an aid in escaping cross-cultural boundaries, the longing for validation or substance in one’s life, and the lengths some will go to locate and express their inner rock star is investigated.

Warren Arcand’s contribution to Rockstars & Wannabes is a video installation that explores “how youth turn to Rock music as a form of magical thinking, or who alternatively may be used by Rock to refresh and revitalize its own iconography. Within this exchange there are many hazards and casualties, not the least of which is boundary control.” – Warren Arcand.

Kevin Ei-Ichi deForest uses Karaoke to out existing stereotypes within popular music and explores the struggle to culturally fit in for those of mixed ancestry. By presenting imagery of Japanese music icons, cityscapes, and the impact of American pop-culture on Japanese youth, his video works expose how cultural perceptions are internalized, while simultaneously reminding viewers about the potential of music to bridge existing gaps.

Skawennati Fragnito locates like-minded adults who grew up in the '80s, and dreamt of being in music videos like those seen on Much Music and MTV. Her video work 80 Minutes,80 Movies, 80s Music, is an ongoing digital-video project which invites Generation X-ers from diverse cultural backgrounds, professions, and locations to live out their 80s rock star dreams in 80 second music videos created by Fragnito. New additions to 80 Minutes, 80 Movies, 80s Music will be featured in the exhibition.

Benny Nemerofsky Ramsay’s video and installation work provide a glimpse of his intimate relationship with certain pop music icons. History, sexuality and identity collide in Audition Tape, a musical monologue inspired by outtakes from American idol competitions. In Jimmy, a heraldic flag and documentation of a performative marathon honours Scottish gay pop hero Jimmy Somerville. Referencing a fan's obsessive sensibility, Jimmy explores the rewriting of narratives about who gets canonized and honoured in popular culture.

Rockstars & Wannabes Highlights:

* Join us at the free public opening reception on Saturday, September 29, 2007, which will include an '80s dance party after 10pm.
* Come to the curatorial talk/karaoke night at Urban Shaman – date TBA

With special thanks to our generous funders:













We wish to express additional gratitude to our friends, volunteers, community, and All Our Relations.

For more information please contact Milena Placentile at Video Pool @ (204) 949-9134 ext.1

- 30 -

Sample Images - Click for larger versions. More coming soon!

Warren Arcand. Flamingo Killers.














Kevin Ei-ichi deForest. Foxy Lady, 2006.

Benny Nemerofsky Ramsay. Audition Tape.









Biographies

Warren Arcand lives and works in Vancouver, where his artistic output includes performance art, film and video, theatre and text based work. His past performance pieces include “Six Gun Sufi” (cowboy ballads and sexdeath mysticism); “Surgery” (hermaphrodism as a metaphor for Abo identity); and most recently “Superchannel” (audience members received wireless headsets giving them access to 7 channels of selectable audio with which they could mix their own ‘soundtrack’ for Warren’s simple performance task of ‘making eye contact’). He is currently teaching performance art at the Emily Carr Institute of Art and Design.

Kevin Ei-ichi deForest is an internationally recognized visual artist whose practice focuses on the representation of cultural hybridity, specifically with reference to his Eurasian background. Born in Winnipeg, he was part of the fledgling punk rock scene there in the late 70s. In the spirit of his hybrid outlook, his multimedia practice includes painting, installation, video, sound art, and critical writing. He has exhibited nationally as well as in USA, Mexico, Holland, Germany, Italy and Japan. He recently returned to Manitoba as Assistant Professor in the Department of Visual and Aboriginal Art at Brandon University, Brandon Manitoba.

Skawennati Fragnito is an artist, independent curator, and occasional writer. In 1994, Skawennati co-founded Nation to Nation, a First Nations artist collective, whose exhibitions have included TattoNation and the very popular Native Love, which toured Canada. From 1996 to 2005, Skawennati was the director and primary curator for CyberPowWow, the pioneering Aboriginally-determined on-line gallery and chat space. Her most recent curatorial project is an on-line exhibition entitled Grrls, Chicks, Sisters & Squaws: Les citoyennes du cyberspace.

Benny Nemerofsky Ramsay is a Montréal-born artist working predominantly in video, text and sound. Since 2000 his work has brought together song, self-reflexive performance and lyrics from pop music as vehicles for examining the singing voice, the untranslatability of emotions into language and the ways in which emotional expression changes shape when mediated by technology and popular culture. Nemerofsky Ramsay's work has screened in festivals and galleries across Canada, Europe and East Asia and has won prizes at the Hamburg Short Film Festival, the Kasseler Dokumentarfilm- und Videofest and the Kurzfilmtage Oberhausen (all in Germany), the Toronto Inside Out Film and Video Festival as well as First Prize at the Globalica Media Arts Biennale in Wroclaw, Poland. He currently divides his time between Canada and Europe.